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Meiji Period Japanese Woodblock Print Sketch Album — “Sekisuichō” (積翠帳), Landscapes by Genka (源華), Dated 1913 - B170

Meiji Period Japanese Woodblock Print Sketch Album — “Sekisuichō” (積翠帳), Landscapes by Genka (源華), Dated 1913 - B170

Regular price ¥32,900 JPY
Regular price Sale price ¥32,900 JPY
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This extraordinary antique Japanese woodblock print sketch album titled Sekisuichō (積翠帳) offers a captivating glimpse into Meiji-era landscape aesthetics. Elegantly printed rather than hand-drawn, this album showcases a refined collection of landscapes and motifs executed in traditional ink through precision woodblock technique — a hallmark of Japanese print culture in the late 19th and early 20th centuries.

The album is signed by Genka (源華), whose stamped signature and publisher seal appear prominently on the opening page, confirming artistic attribution. The date 1913 is confirmed on the interior, placing this work firmly in the early 20th century — a transitional period when traditional woodblock printing continued alongside modernization in Japanese visual art.

Key Features

  • Title: Sekisuichō (積翠帳) — roughly translated as “Album of Verdant Scenery”
  • Artist/Signature: Genka (源華), with seal
  • Medium: Woodblock printed ink designs on washi (Japanese mulberry paper)
  • Period: Meiji era / Taishō era (1913)
  • Format: Traditional Japanese binding with printed interior plates
  • Condition: Antique signs of age consistent with over a century of preservation
  • Description

This album is a beautifully bound, printed work, featuring a series of woodblock-produced landscape scenes. Each plate reflects the subtle elegance and lyrical sensitivity of Japanese ink landscape traditions, while also demonstrating refined woodblock craftsmanship. As distinguished from hand-drawn manuscripts, this album’s prints reveal consistent, high-quality impressions characteristic of skilled artisans working with multiple carved blocks.

The title Sekisuichō (積翠帳) suggests a curated collection of landscape views — literally an album of accumulated greens, evoking mountain vistas, riversides, and seasonal atmospheres. The interplay of line, negative space, and ink tonality resonates with classic Japanese landscape aesthetics rooted in centuries of painting and print culture.

Signed inside by Genka (源華), the album bears an expressive artist’s imprint that blends calligraphic presence with a formal seal — a quality detail valued by collectors of Japanese prints and books.

Historical & Artistic Significance

Produced 1913, this album sits at a fascinating intersection of Japanese tradition and early modern print practice. Although produced via woodblock printing rather than hand sketching, its artistic language draws deeply from Nihonga (Japanese painting) and bunjinga (literati painting) sensibilities — filtered through woodblock reproduction.

Collectors appreciate such works not only for their visual beauty but also for their cultural significance as artisanal printed objects from the tail end of the Meiji period, when Japanese print culture was both honoring tradition and evolving with new aesthetic currents.

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